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  • Actors

    Actors Jamie Foxx ​ ➝ Kathy Burke ​ ➝ Harry H. Corbett ​ ➝ Brian Syron ​ ➝ Paul Barber ​ ➝ Kristin Chenoweth ​ ➝ Rosie Perez ​ ➝ Cassidy Mack ​ ➝ Eddie Murphy ​ ➝ Angela Shelton ​ ➝ Barbara Stanwyck ​ ➝ Monroe Martin III ​ ➝ Jim Hoffmaster ​ ➝ John Thomson ​ ➝ Eartha Kitt ​ ➝ Barry Evans ​ ➝ Jack Thompson ​ ➝ Charlotte Ayanna ​ ➝ Stanley J Browne ​ ➝ Carol Grace ​ ➝ Tiffany Haddish ​ ➝ Samantha Morton ​ ➝ Orson Welles ​ ➝ Marilyn Monroe ​ ➝ Felicia Pearson ​ ➝ James Dean ​ ➝ Gianna Simone ​ ➝ Adam Beach ​ ➝ Sigrid Thornton ​ ➝ Tommy Davidson ​ ➝ Jack Nicholson ​ ➝ Ray Liotta ​ ➝ Sylvester Stallone ​ ➝ George Lopez ​ ➝ Candi Marie ​ ➝ Barry Keoghan ​ ➝ Keegan-Michael Key ​ ➝ Brian Cox ​ ➝ Lena Horne ​ ➝ Pierce Brosnan ​ ➝ Lee Majors ​ ➝ Gary Coleman ​ ➝ Jane Wyman ​ ➝ Lesley Sharp ​ ➝ Sidney Poitier ​ ➝ Ronald Magill ​ ➝ Noel Tovey ​ ➝ Lennie James ​ ➝ Melissa Gilbert ​ ➝ Ingrid Bergman ​ ➝ Charlie Chaplin ​ ➝ Jimmie Fails ​ ➝ Sophie Willan ​ ➝ Victoria Rowell ​ ➝ Frances McDormand ​ ➝ Charlie Murphy ​ ➝ Ice-T ​ ➝ Carol Burnett ​ ➝ Pom Klementieff ​ ➝ Chad Coleman ​ ➝ Aaron Pedersen ​ ➝ Liz Smith ​ ➝ Neil Morrissey ​ ➝ Jack Charles ​ ➝ Rajesh Khanna ​ ➝ James McAvoy ​ ➝ Billy Connolly ​ ➝ Nina Mae McKinney ​ ➝ Sarah Bernhardt ​ ➝ Richard Burton ​ ➝ Michael Caine ​ ➝ Back to Top

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    Authors L Ray Liotta ➝ George Lopez ➝ Back to Top

  • Ray Liotta

    Actors Ray Liotta ​ ​ Raymond Allen Liotta (born December 18, 1954) is an American actor and producer. He is best known for playing Shoeless Joe Jackson in Field of Dreams (1989), playing Henry Hill in Goodfellas (1990) and voicing Tommy Vercetti in the video game Grand Theft Auto: Vice City (2002). Raymond Allen Liotta was born in Newark, New Jersey, on December 18, 1954. Having been abandoned at an orphanage, he was adopted at the age of six months by township clerk Mary and auto-parts store owner Alfred Liotta. His adoptive parents each unsuccessfully ran for local office; he recalls attending parades to hand out flyers for his father's run. Liotta has a sister, Linda, who is also adopted. He has said that he knew he was adopted as a young child and presented a show-and-tell report on it for kindergarten. He hired a private detective to locate his biological mother in the 2000s, and subsequently learned from her that he is mostly of Scottish descent. He has one biological sister, one biological half-brother, and five biological half-sisters. External Website

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Blog Posts (14)

  • Foundling Book Club Event

    Care Experience & Culture Foundling Book Club Event: Via Zoom 11th November 2022 and live at the Foundling Museum, London 11am UK /8.30pm Adelaide, South Australia /6am Atlanta, Georgia USA In conjunction with the Foundling Museum, London, we are thrilled to announce a Foundling Book Club (hybrid in-person and online event) during the Being Human Festival exploring the power of first-hand accounts in the narratives of care experience. Speakers include Foundling Museum Curator Kathleen Palmer who will talk about the Foundling Hospital and its history. We also have Justine Cowan, an American lawyer who will share what prompted her to investigate her mother’s childhood at the Foundling Hospital, and Dr Josie Pearse, a London-based artist and independent researcher into adoption history, who will speak with us about The Child She Bare (1919), by Hannah Brown, a reflection of her childhood at the Foundling Hospital from 1866 to 1881. Timetable: 11.00 - Brief intro to Care Experience & Culture - 5mins (Dee) 11.05 - Introduction to the Foundling Museum by Curator Kathleen Palmer (UK) - 20 mins 11.25 – Intro to speaker (Dee Michell) 11.27 - The Secret Life of Dorothy Soames with Justine Cowan (US) - 20 mins 11.47 - Intro to speaker (Rosie Canning) 11.49 - The Child She Bare with Dr Josie Pearse (UK) - 20 mins 12.09 - Questions - 20 minutes 12.30 - Close Justine Cowan is an American attorney and author of The New York Times Editors’ Pick, The Secret Life of Dorothy Soames, which details how Justine uncovered the true story of her mother’s upbringing at London’s Foundling Hospital. Justine’s mother was difficult and exacting. Only after her death was Justine drawn to an envelope filled with clues about a past that had never been spoken of, buried in the back of an old filing cabinet. Its contents revealed a mystery that led her across the Atlantic Ocean to discover a truth she could scarcely imagine. Justine will share her transformative journey and how it allowed her to make peace with her family’s troubled past. Dr Josie Pearse is an artist, writer and independent researcher into adoption history. She was surrendered as a toddler and spent a period in care in a residential nursery before being adopted. Her PhD ( Backstory, writing on the cusp of life and fiction. Creative Writing Cardiff 2013) is a creative reclamation of her unrecorded orphan story. Just over a hundred years ago an anonymous author answered a survey. It was sent out by a Select Committee looking at the regulation of child adoption. Tracking the history of adoption, Josie traced a book written by the anonymous author. She presents a reading of it as a testament to creative human resilience under the restrictions of the child welfare system. All welcome. If you are joining online, you will need to book a free ticket. If you are coming to the museum that day, entrance is free. Twitter: @FoundlingMuseum @kpalmer101 @DrDeeMichell @Rosie_Canning @_JustineCowan @jojowasawoman

  • Diversity & Children's Fiction

    Care Experience & Culture book club event: Via Zoom 25th June 2022 10am UK time / 6.30pm Adelaide / 7.00pm Melbourne Email: careexperienceandculture@gmail.com to register You can watch the Book Club Event here: Dr Sarah Mokrzycki is a writer and artist living on Eastern Maar and Wadawurrung land. She has a PhD on the importance of family diversity in picture books, and teaches creative writing and children’s literature at Victoria University. Sarah is a non-bio mum of three children from fostering backgrounds, and a passionate advocate of children at risk. Sarah wrote and illustrated a family diverse book, while also researching the importance and benefits of inclusive children's literature - a first in Australia. As Sarah writes: "Research shows that when children can’t see themselves in books, their sense of self-worth, their ability to form healthy friendships and their reading and educational development can all be obstructed. Relating to book characters is a vital tool that engages young children with literature. It connects them to the world, validates their personal experiences and helps forge a lifelong love of reading." Despite the clear benefits, Sarah has found that Australia's diversity is rarely reflected in Australian picture books, and where such books do exist, they tend to be published overseas, often in the UK. Jane Teather is a Reader and Home Educator living in Hertfordshire, UK Jane will talk about diverse representations in children’s fiction in some of the books she has found that provide a more diverse world view for children and young people. Starting with the books she read as a child and young adult, moving on to multiculturalism and disability awareness thanks to working in the Inner London Education Authority (ILEA), actively seeking out alternative voices for her children and finally continuing to find different viewpoints in recent fiction. Jane was born in Guildford and adopted at ten days old. She grew up in a loving family that was for her, the right match. She was a reader from a young age – some of her earliest memoires are of books she borrowed from the local library: Miffy, Rev Awdrey stories and My Naughty Little Sister. When Jane was nine they moved to Guernsey and she stayed there until she went to Brighton Polytechnic to study librarianship. Although initially she thought of working in a library because she loved books Jane quickly realised that it is more important to want to help people, and the books are a by product of this. Trained as a librarian, her first professional job was in a further education college in London which was a cultural shock after Guernsey and Brighton. Thanks to ILEA, she quickly had her eyes opened to multiculturalism and other diversities and thrived working with students from 16 – 70. In her early thirties she fell pregnant, and this was when her adoption finally caught up with her as she found she could not leave her baby for any length of time. The idea of going back to work made her want to sob and so with the full support of her partner she gave up paid employment and became a stay-at-home mum. This was, for her, a joyful act and one she has never regretted. Jane reads fiction, non-fiction, graphic novels, poetry – anything that takes her fancy. **ALL WELCOME**

  • Examining the Past and Challenging the Future by Lindsay Bamfield

    Lindsay looks back as well as reflecting on the last couple of Care Experience & Culture book club events Perhaps the reason one of my A' Levels was a grade too low was because I went out dancing the night before. Or maybe I'd not revised enough. Whatever, it meant I wouldn't get my place on the prestigious librarianship course unless I re-did the A level or worked in a library for a year. I duly applied to the central library in Bristol and was granted an interview just after my 18th birthday in October. I was offered the post and asked when I could start. 'Could it be January?' I asked. The chief librarian looked horrified so I quickly explained that I was currently working in a children's home and really wanted to be there for Christmas. 'I think you are not very serious about this position,' replied the librarian frostily to which I agreed that no, perhaps I wasn't. And there ended my potential career. Instead I went on to qualify as a Residential Child Care Officer which later led me to becoming a speech and language therapist. My choice on that day was something I've never regretted. And Christmas at the children's home was wonderful. I still have the card that 6 year-old Fred drew for me. A bright pink panther (Fred's favourite cartoon) with a speech bubble announcing 'Happy Chrismas from the Pink Panter' [sic] Since those far off days there has been a huge re-examining of children's homes in the recent past, many of which were full of abuse and did little or nothing to protect the children in their care. I trust none of those I worked in were guilty (I certainly never witnessed nor suspected any such behaviour.) I've always believed that abusing a position of trust is one of the worst crimes we can commit against fellow humans. I have happy memories of the children who were in my care but I've often wondered whether their memories are as positive. I hope some of their recollections are but making stable relationships with carers was always going to be hard as they were subjected to a series of people, however good, passing through their lives. And did we address all the needs and the concerns of the children on the matter of their identities? And how well prepared were those entering their adult years? Years on, with greater wisdom, I see there may well have been failures. Like many people I've noticed how often the killer, especially serial killers, in books or TV programmes and films are orphans. (In reality relatively few children in care are orphans.) I'd assumed this wasn't so much that the writers believed orphans are evil, but that they couldn't be bothered to think up suitable reasons for why a child turns into an adult killer. If there is no family, parents or siblings, no-one needs to be held accountable for perhaps contributing in some way to those crimes. No backstory needs to be written - just some unnamed children's home. But much as I was aware of the unfairness of these portrayals, I didn't consider what that was like for people who are care-experienced. Josie Pearse writes a much more carefully considered article here. When Rosie Canning - fellow founder of Greenacre Writers and The Finchley Literary Festival - began working on an examination of representations of care-experienced people in literature, partly to address and challenge this issue, I suspect she didn't then realise how this theme would blossom into a number of other projects such as the UK/Australian Care Experience and Culture with Dr Dee Michell. Their recent online book club featuring representations of care in literature includes memoir and novels. Sarah Hilary joined the first discussion with her book Fragile, a modern gothic novel telling the stories of two young people who were in the care system and their foster mother. The second event's speakers were Susan Francis from Australia and Anne Harrison from UK. I was already following Susan on Twitter but hadn't, at that point, read her book The Love That Remains. Anne Harrison and her memoir, Call Me Auntie, was at the time unknown to me. Both spoke so eloquently about their memoirs and the search for their birth parents, I knew I wanted to read them both. I had been lucky enough to win a copy of Call Me Auntie from the book club which was winging its way towards me, and I quickly ordered a copy of The Love That Remains which I dived into immediately I received it. The books are very different but have a great deal in common. At the core of each is the writer's need to know their identity. The 'Where did I come from?' Both authors, one adopted, and one initially fostered and then living in children's homes, set out to search for their roots. They search for their birth mothers to learn about their identity and in the hope of forging a relationship of some sort. Both find answers to some of their questions but many are left unanswered. Both books are well written and enable to reader to follow the narratives easily. Anne Harrison's Call Me Auntie is a factual account; much of her early history is related using documents from her care file which was made available to her quite recently. This is not a 'misery lit' account by any means but some was hard to read. The treatment of the children in one care home was emotionally and physically abusive which made me feel very angry and the scenes with her birth mother filled me with sadness and dismay. Susan Francis's The Love That Remains tells of her need to discover the truth about her parents. Even though she was happily adopted, her unknown roots left her with insecurities. Here too, many scenes make for emotional reading. But Susan's need to search for the truth about the past doesn't stop with her birth parents. She discovers another awful secret which needs verification, and to be understood and accepted. Ultimately, both books are journeys of courage and discovery and yet more courage. To follow these authors on Twitter: Susan Francis @susanfranciswr1 Anne Harrison @anne4harrison and Lindsay @lindsaybamfield Article first published via Lindsay Bamfield's Blog

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